Alla artiklar av Vanessa Joan Müller

Stolen Stories

The Danish Pavilion at the 56. Venice Biennial shows the clever – perhaps too clever – arrangements and storytelling for which Danh Vo is best known.

Nyligen publicerat

Crop crop

I maleriet er figuration altid en form for reduktion, men man undervurderer kunstmarkedets nye darling Issy Wood, hvis man reducerer hendes malerier til ren millennial-klynk.